1. Read. Read Shakespeare; read Tolstoy; read Dostoevsky. (Avoid paperbacks bearing a Cyclopsian ‘O.’ Of course, if Oprah someday wants to showcase your book, don’t be stupid.) Read Ulysses. Understand Ulysses. If, after having fully understood Ulysses, you still feel you have anything to contribute, you have the ego of a writer and may proceed. If reading great writers leaves you in a paralyzed state of utter despair, don’t read so much. Actually, you probably shouldn’t read at all. Reading may stunt your creativity. Reading may stifle your voice. Reading may cause you to unconsciously plagiarize entire passages.
2. Buy a nice notebook. Hemingway preferred the Moleskine which bookstores everywhere still sell today. Ignore the fact that last year, the small Italian maker of these notebooks sold over two million of them in the U.S. alone to other would-be-writers like yourself.
3. Choose your material. If you were not fortunate enough to have been born to alcoholic, religious fanatic parents (Catholics have the upper hand here) with mental illness flourishing throughout all branches of your family tree, don’t worry, you can just make up stuff. If you are one of the lucky ones, squeeze out every sordid detail you can. Don’t worry about offending people. The more accurately you render the horrific behavior of others, the less likely they will recognize themselves and they should have been nicer to you anyway. If you lack dysfunction, seek out abusive relationships or adopt any of a number of vices.
4. Write every day. Write first thing in the morning when you wake up refreshed, before the day messes with the muse. You will still have a clear mind (unless you’re one of the lucky ones and hung over–see #2) and maybe you will have just dreamed the entire ending for your difficult novel and can basically transcribe it but don’t bank on it. Or, write at night before bed when you can reflect on the hectic events of your day. If you’re too tired, just put it off until the next day.
5. Revise your work. When revising, incorporate as many literary devices as possible. Here is a partial list: accentual verse, accidental verse, blanket verse, budapest, anapest, anastrophe, apostrophe, catastrophe, authorial intrusion, authorial perversion, controlling metaphor, limp metaphor, dead metaphor, uncalled-for, connotation, denotation, ovulation, diphthong, boythong, oolong, oo rhyme, slant rhyme, perfect rhyme, imperfect rhyme, internal rhyme, eternal rhyme, dramatic rhyme, dramatic monologue, undramatic monologue, ungrammatic monologue, epiphany, elegy, eulogy, urology, romance, rising action, rhythm, climax, siesta, sestina, ionic major, ionic minor, ironic rancor, narrative, objective correlative, objective misgive, objective fallacy, pathetic fallacy, phallic fallacy, post-modern, post-mortem, addendum, conundrum, humdrumdum.
6. As a destitute writer, find a way, any way, to support yourself. On the surface, prostitution may seem degrading or maybe even immoral if all of that Catholic hellfire crap really stuck but just think of the wealth of material you will be able to mine for your art. (For more on prostitution, see # 1.)
7. Prepare yourself for rejection from publishers. Contact old lovers from affairs that ended like a category five hurricane. Get back together. Or, try to establish a relationship with your crack dealing father (or mother) who deserted your family of seven when you were ten years old. Not only will these exercises toughen you to rejection, they offer the added bonus of providing you with rich writing material. Again, if you are one of those unlucky ones whose life flows on an even keel, be creative. You can always apply for jobs for which you are completely unqualified, better yet, completely over-qualified. Constant rejections from needle-dicked teenage fast food restaurant managers, suspicious of your MBA, should help you fine tune your rejection coping skills.
8. Don’t think. As you write, temporarily put all writing advice out of your head.